Doug Specht, University of Westminster; Elena Orap, Bern University of Applied Sciences, and Rob Sharp
In the early days of the full-scale invasion of Ukraine,...
The following essay by Teddy Mwaya is the winning entry for the essay-writing competition for youth - 2026, an international contest organised by the...
Amin Saikal, Australian National University; The University of Western Australia; Victoria University
Last Thursday, US President Donald Trump said he had a “big decision” coming...
The International Olympic Committee (IOC) has announced a new policy on the protection of the women’s category that will force thousands of elite women athletes from around the world to undergo genetic sex testing in order to compete.
This post is part of Global Voices’ April 2026 Spotlight series, “Human perspectives on AI.” This series will offer insight into how AI is being used in global majority countries, how its use....
My earliest memories are of Methodist Mission quarters in the diocese of Dilkusha, Fiji. Dilkusha, the name of a minor Indian principality, was mentioned in E.M. Forster’s classic novel A Passage to India: its name literally means “Heart’s Delight” in Hindi–Urdu.
In both the street theatre and research, hierarchy is unsettled. The ‘platform’ needs to dissolve. Knowledge does not descend from a raised stage or an academic institution. Knowledge circulates among bodies in proximity and their minds. The actor and the audience blur into one another. The researcher and the community must also do the same.
Doug Specht, University of Westminster; Elena Orap, Bern University of Applied Sciences, and Rob Sharp
In the early days of the full-scale invasion of Ukraine,...
